JACQUELINE ZANDER-WALL
Over fifty recital credits include the Stuttgart Hugo Wolf Gesellschaft, the Hamburg Mahler Verein, the Villa Lobos Ensemble, the Goethe Institute in Moscow and Boston, and the Isabella Stewart Gardner Museum. She has performed Chamber Music with the New York Skaneateles Music Festival, the Aspen Music Festival, the Warebrook Contemporty Music Festival in Vermont and throughout Germany. A proponent of new music Ms. Zander-Wall has sung with L’art pour l’art in Frankfurt, Chaosmas in Moscow and Boston and Hamburgs improvisatory Scala Theater.
Recently performing the title role in Carmen with the Dulth/Superior Symphony, she has also been a soloist with the Santa Barbara Chamber Orchestra, the Santa Barbara Symphony, the New Haven Symphony, Konzertante Oper Hamburg, and the Santa Fe Community Orchestra.
As on oratorio soloist she has performed with Robert Shaw, Canticum Novum, the Flensburger Back Chor, and Cathedrals in Hamburg, Wismar, and Lubeck. She has sung the role of Proserpina with Monteverdi Festival at the Brooklyn Academy of Music, and the Chicago Opera Theater. Other opera credits include the Boston Lyric Opera, Arizona Opera, Utah Festival Opera, Opera Southwest, and the Hamburg Opera.
After receiving a Masters of Arts from the University of California at Santa Barbara, she received a diploma from Boston Univertsity’s Opera Institute. She has been a fellow at the Music Academy of the West, the Britten Pears School, the Vienna Meisterkurs, the Ost-West Musik Akademie, and the Hochschule fur Musik in Hamburg and Berlin. Her primary teacher in Elizabeth Mannion. She has also worked extensively with Phyllis Curin, Dietrich Fiescher-Dieskau, and Suzanne Danco, and Jane Snow.
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